Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead. . . . Nolan knows but can never tell what really happened in the summer of '77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds. . . . The past isn't dead. It isn't even past. . . .

Hailed as a "writer of subtlety and depth," Hilary Mantel turns her dark genius on the world of psychics in this smart, unsettling novel (Joyce Carol Oates)A paragon of efficiency, Colette took the next natural step after finishing secretarial school by marrying a man who would do just fine. After a sobering, do-it-yourself divorce, Colette is at a loss for what to do next. Convinced that she is due an out-of-hand, life-affirming revelation, she strays into the realm of psychics and clairvoyants, hungry for a whisper to set her off in the right direction. At a psychic fair in Windsor she meets the charismatic Alison.Alison, the daughter of a prostitute, beleaguered during her childhood by the pressures of her connection to the spiritual world, lives in a different kind of solitude. She cannot escape the dead who speak to her, least of all the constant presence of Morris, her low-life spiritual guide. An expansive presence onstage, Alison at once feels her bond with Colette, inviting her to join her on the road as her personal assistant and companion.Troubles spiral out of control when the pair moves to a suburban wasteland in what was once the English countryside and take up with a spirit guide and his drowned therapist. It is not long before Alison's connection to the place beyond black threatens to uproot their lives forever. This is Hilary Mantel at her finest- insightful, darkly comic, unorthodox, and thrilling to read.

Tense and suspense-filled thriller from the author of The Straw Men and The Lonely Dead. Notorious serial killer the Upright Man has escaped from a supermax prison. The FBI have no idea how it happened, or where to start looking. Ex-CIA agent Ward Hopkins suspects the Straw Men, a shadowy conspiracy of killers with a macabre agenda. But apart from Ward's girlfriend Nina, a discredited federal agent, the only person who believes the Straw Men even exist is John Zandt, a homicide detective obsessed with tracking down his daughter's killers- and who is now wanted for murder himself. The terrifying thing is that Ward's right- his brother was broken out for a reason. The Straw Men are planning something big. And now only Ward, Nina and Zandt stand between them and a spectacular act of carnage...

Counting Heads is David Marusek's extraordinary launch as an SF novelist: The year is 2134, and the Information Age has given rise to the Boutique Economy in which mass production and mass consumption are rendered obsolete. Life extension therapies have increased the human lifespan by centuries. Loyal mentars (artificial intelligences) and robots do most of society's work. The Boutique Economy has made redundant ninety-nine percent of the world's fifteen billion human inhabitants. The world would be a much better place if they all simply went away. Eleanor K. Starke, one of the world's leading citizens is assassinated, and her daughter, Ellen, is mortally wounded. Only Ellen, the heir to her mother's financial empire, is capable of saving Earth from complete domination plotted by the cynical, selfish, immortal rich, that is if she survives. Her cryonically frozen head is in the hands of her family's enemies. A ragtag ensemble of unlikely heroes join forces to rescue Ellen's head, all for their own purposes. Counting Heads arrives as a science fiction novel like a bolt of electricity, galvanizing readers with an entirely new vision of the future.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

 For fans of Quantum Leap And Touched by an AngelWe present DeadTimes…Mae Johnson desired too much.  …She made a deal with a demon to live again.…Now she’s cursed to live over and over, see-sawing into people’s lives at the moment of their deaths, thrust into maelstroms of violence and emotion without any warning.  As she strives to survive and do the right thing, she finds herself sometimes forced into evil acts, recognizing that she has become a game piece used in the eternal game of good vs. evil.DeadTimes is about what someone will do to live again.DeadTimes is about the nature of right and wrong.DeadTimes is about what death leaves behind.DeadTimes is about real people.DeadTimes is a book about life.And it goes on forever...Praise for the works of Yvonne Navarro:Peter Straub says about That’s Not My Name that “Yvonne Navarro bestows upon us what we always most need - a novel distinguished by its generosity of feeling, sense of discovery, narrative timing and command, accuracy of phrasing, and above all its sustained power.”  F. Paul Wilson says That’s Not My Name “is a truly unsettling work of fiction. The chills come not from ghosts or external threats, but from within, from the very real tricks the mind can play on itself. Do not miss this one.”Poppy Z. Brite says deadrush is “a delicate tapestry of bizarre images and intriguing characters.”Science Fiction Chronicle says deadrush  is “a wonderfully chilling account of corruption, cruelty, and obsession...” Gauntlet Magazine says DeadTimes “is is a work that celebrates our common humanity... Literature can have no greater goal than that.”Masters of Terror says about DeadTimes that “it's a pleasure to read a novel and know that the author has come up with something original, satisfying and enjoyable.”

Stephen King’s #1 national bestseller about a little mining town, Desperation, that many will enter on their way to somewhere else. But getting out is not easy as it would seem…"I see holes like eyes. My mind is full of them." For all intents and purposes, police officer Collie Entragian, chief law enforcement for the small mining town of Desperation, Nevada, appears to be completely insane. He's taken to stopping vehicles along the desolate Interstate 50 and abducting unwary travelers with various unusual ploys. There's something very wrong here in Desperation...and Officer Entragian is only at the surface of it. The secrets embedded in Desperation's landscape, and the horrifying evil that infects the town like some viral hot zone, are both awesome and terrifying. But one of Entragian's victims, young David Carver, seems to know—and it scares him nearly to death to realize this truth—that the forces being summoned to combat this frightful, maniacal aberration are of equal and opposite intensity...

Finally available in America: the debut novel from the author of The Tooth Fairy and Dark Sister It began as an experiment in college--a seemingly harmless investigation into "lucid dreaming," the ability to control one's dreams.But they stayed too long on Dreamside, and now, ten years later, the dreams have returned--returned to upend their adult lives. The dreams of youth fade, if you're lucky. If not, they can consume you . . . and will.

The critically acclaimed collection of Richard Christian Matheson's stories of dread and the 'irreal'. Inescapably troubling and bizarre, these sixty stories are severe and immediate. From Siamese twin country western acts to an alcoholic Santa Claus to movie theaters used as execution chambers, to death by orgasm, to modern-day savages in Hawaii, to beds that have sexual lives of their own, to pleasure by self-mutilation, these stories are a scape of ominous excess and psychological revelation. Matheson's heralded style is, as always, both distilled and hypnotic

Elantris was built on magic and it thrived. But then the magic began to fade and Elantris began to rot. And now its shattered citizens face domination by a powerful Imperium motivated by dogged religious views. Can a young Princess unite the people of Elantris, rediscover the lost magic and lead a rebellion against the imperial zealots? Brandon Sanderson's debut fantasy showed his skill as a storyteller and an imaginer of baroque magical systems to be fully developed from the start.

Although she was orphaned at birth, Eden Moore is never alone. Three dead women watch from the shadows, bound to protect her from harm. But in the woods a gunman waits, convinced that Eden is destined to follow her wicked great-grandfather--an African magician with the power to curse the living and raise the dead. Now Eden must decipher the secret of the ghostly trio before a new enemy more dangerous than the fanatical assassin destroys what is left of her family. She will sift through lies in a Georgian ante-bellum mansion and climb through the haunted ruins of a 19th century hospital, desperately seeking the truth that will save her beloved aunt from the curse that threatens her life.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A three-time winner of the World Fantasy Award and an eight-time winner of the British Fantasy Award, Campbell may be the genres most decorated writer. Publishers Weekly hails him as a master of the horror genre, adding, He does more than jar the nerves and chill the spine; he assails ones very grip on reality. Ghosts and Grisly Things is a chilling collection of the best of Campbells recent short fiction, most of it never before available in any form.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This work is the most famous play in all German literature. It was published in two parts. Part 1 is very dramatic and tells the main story. Part 2 is extremely long and it is meant to be read rather than acted out on stage. It is about Goethe's philosophy as well as about history and politics. This play is a retelling of the Faust legend which was very famous in Germany. The legend tells of a man called Faust who is tired of studying and wants to have the greatest possible happiness. The devil (usually called Mephistopheles, as he is in Goethe's play) tells Faust he can help him to do this, but that in the end Faust will have to give him his soul and go with him to hell. Faust makes a pact (an agreement) with Mephistopheles who promises him all his soul can wish for -- fine living, gold, women and honor. Faust signs the pact with his blood. Faust uses magic in the hope that it will tell him everything about life. However, in the end Mephistopheles wins his bet.