Seven-year-old Sam Southall loses a tooth and that night he's visited by a sinister, rank, foul-mouthed, mercurial Tooth Fairy, a demonic being that apparently only he can see, but whose malignant influence spills over onto his family and friends. The Tooth Fairy accompanies Sam throughout his growing years, teaching him to make mischief at school, influencing his actions. One day she insists that Sam have his friend Terry sleep over. That same night, Terry's father shoots his wife, his other children and himself.

Brian Evenson's fifth story collection constructs a human landscape as unearthly as it is mundane. Replete with the brutality, primordial waste, and savage blankness familiar to readers of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it. In the title story an obsessive consciousness folds back on itself, creating a vertiginous mélange of Poe and Borges, both horrific and metaphysical. Here, as in Moran's Mexico, and Greenhouse, the solitary nature of reading and writing leads characters beyond human limits, making the act of putting words to paper a monstrous violation opening onto madness. In White Square the representation of humans by dimly colored shapes confirms our feeling that something lies behind these words, while seeming to mock us with the futility of seeking it. Evenson's enigmatic names-Thurm, Bein, Hatcher, Burlun-placeable landscapes, and barren rooms all combine to create a semblance of conceptual abstraction, as though the material universe had come to exist inside someone's head. Small wonder that Evenson's work has attracted so much attention among philosophers, literary critics, and other speculative intelligences, for it continuously projects a tantalizing absence, as though there were some key or code that, if only we knew it, would illuminate everything. However, the blade of discernment wavers, and we are left to our own groping interpretations.

- Aspect published the previous novel in the series, The Skrayling Tree, in hardcover (0-446-53104-9) in 2003 and in mass market (0-446-61340-1) in 7/04. The prior novel. The Dreamthief's Daughter (Aspect hardcover, 2001, 0-446-52618-5; mass market, 2002, 0-446-61120-4) received praise from the Washington Post, Denver Post, and Locus, where it was featured on the 2001 Recommended Reading list. - Aspect reissued Moorcock's classic Gloriana, or the Unfulfill'd Queen in trade paperback in 8/04. Gloriana won Moorcock the World Fantasy Award, the John W. Campbell Award, and the British Fantasy Award. - Moorcock's Elric the Eternal Champion saga has been optioned by Universal Pictures, with Chris and Paul Weitz (American Pie) producing. - Michael Moorcock is a vanguard author, editor, journalist, critic, and rock musician, who is editor of the controversial magazine New Worlds. A member of the Science Fiction and Fantasy Hall of Fame, Moorcock has won the Guardian Fiction Prize, the Nebula Award, the World Fantasy Award, and the British Fantasy Award, among others.

For more than a decade, readers have turned to The Year's Best Fantasy and Horror to find the most rewarding fantastic short stories. Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.ContentsSummation 1999: FantasyTerri WindlingSummation 1999: HorrorEllen DatlowHorror and Fantasy in the Media: 1999Edward BryantComics: 1999, Seth JohnsonObituaries: 1999, James FrenkelDarkrose and Diamond, Ursula K. Le GuinThe Chop Girl, Ian R. MacLeodThe Girl Detective, Kelly LinkThe Transformation, N. Scott MomadayCarabosse, Delia ShermanHarlequin Valentine, Neil GaimanToad, Patricia A. McKillipThe Dinner Party, Robert GirardiHeat, Steve Rasnic TemThe Wedding at EsperanzaLinnet TaylorRedescending, Ursula K. Le GuinYou Don't Have to be Mad . . .Kim NewmanThe Paper-Thin Garden, Thomas WhartonThe Anatomy of a MermaidMary SharrattThe Grammarian's Five DaughtersEleanor ArnasonThe Tree Is My Hat, Gene WolfeWelcome, Michael Marshall SmithThe Pathos of Genre, Douglas E. WinterShatsi , Peter CrowtherKeepsakes and Treasures: A Love StoryNeil GaimanWhat You Make It, Michael Marshall SmithThe Parwat Ruby, Delia ShermanOdysseus Old, Geoffrey BrockThe Smell of the Deer, Kent MeyersChorion and the PleiadesSarah Van ArsdaleCrosley, Elizabeth Engstromn0 Naming the Dead, Paul J. McAuleyThe Stork-Men, Juan GoytisoloThe Disappearance of Elaine ColemanSteven MillhauserWhite, Tim LebbonDear Floods of Her Hair, James SallisMrs. Santa Decides to Move to FloridaApril SelleyTanuki, Jan HodgmanAt Reparata, Jeffrey FordSkin So Green and Fine, Wendy WheelerOld Merlin Dancing on the Sands of TimeJane YolenSailing the Painted OceanDenise LeeGrandmother, Laurence SnydalSmall Song, Gary A. BraunbeckThe Emperor's Old BonesGemma FilesThe Duke of Wellington Misplaces His HorseSusanna ClarkeHalloween Street, Steve Rasnic TemThe Kiss, Tia V. TravisThe Beast/The Hedge, Bill LewisPixel Pixies, Charles de LintFalling Away, Elizabeth BirminghamHonorable Mentions: 1999

Widely regarded as the one essential book for every science fiction fan, The Year's Best Science Fiction (Winner of the 2004 Locus Award for Best Anthology) continues to uphold its standard of excellence with more than two dozen stories representing the previous year's best SF writing.The stories in this collection imaginatively take readers far across the universe, into the very core of their beings, to the realm of the Gods, and to the moment just after now. Included are the works of masters of the form and the bright new talents of tomorrow. This book is a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.

Like her half-breed mother, young Zarq Darquel can’t always hold her tongue. A peasant on a large dragon estate, she goes unnoticed by the Temple of the Dragon—until she accidentally captures the attention of an eccentric and dangerous dragonmaster, unleashing a storm of tragedy. Her clan is plunged into destitution, her beautiful sister, Waivia, sold into slavery, and her mother lost to madness.   Desperate to find Waivia, Zarq and her delirious mother flee through the underworld of their land. Consumed with the desire for revenge, Zarq develops a taste for the highly addictive venom of the dragons she has been taught to revere—and with this poison, she imbibes their memories and glimpses a plot for social revolution. But to achieve it, she must defy not just sexual taboos and patriarchal conventions, but the Emperor who rules her nation.

Shocking, banned and the subject of obscenity trials, Henry Miller's first novel Tropic of Cancer is one of the most scandalous and influential books of the twentieth centuryTropic of Cancer redefined the novel. Set in Paris in the 1930s, it features a starving American writer who lives a bohemian life among prostitutes, pimps, and artists. Banned in the US and the UK for more than thirty years because it was considered pornographic, Tropic of Cancer continued to be distributed in France and smuggled into other countries. When it was first published in the US in 1961, it led to more than 60 obscenity trials until a historic ruling by the Supreme Court defined it as a work of literature. Long hailed as a truly liberating book, daring and uncompromising, Tropic of Cancer is a cornerstone of modern literature that asks us to reconsider everything we know about art, freedom, and morality.'At last an unprintable book that is fit to read' Ezra Pound 'A momentous event in the history of modern writing' Samuel Beckett 'The book that forever changed the way American literature would be written' Erica Jong Henry Miller (1891-1980) is one of the most important American writers of the 20th century. His best-known novels include Tropic of Cancer (1934), Tropic of Capricorn (1939), and the Rosy Crucifixion trilogy (Sexus, 1949, Plexus, 1953, and Nexus, 1959), all published in France and banned in the US and the UK until 1964. He is widely recognised as an irreverent, risk-taking writer who redefined the novel and made the link between the European avant-garde and the American Beat generation.

A cult modern classic, Tropic of Capricorn is as daring, frank and influential as Henry Miller first novel, Tropic of CancerA story of sexual and spiritual awakening, Tropic of Capricorn shocked readers when it was published in 1939. A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of the life of the writer and of New York City between the wars: the skyscrapers and the sewers, the lust and the dejection, the smells and the sounds of a city that is perpetually in motion, threatening to swallow everyone and everything.'Literature begins and ends with the meaning of what Miller has done' Lawrence Durrell 'The only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past' George Orwell 'The greatest American writer' Bob Dylan Henry Miller (1891-1980) is one of the most important American writers of the 20th century. His best-known novels include Tropic of Cancer (1934), Tropic of Capricorn (1939), and the Rosy Crucifixion trilogy (Sexus, 1949, Plexus, 1953, and Nexus, 1959), all published in France and banned in the US and the UK until 1964. He is widely recognised as an irreverent, risk-taking writer who redefined the novel and made the link between the European avant-garde and the American Beat generation.

Newly revised and expanded by the author, this seminal study of epic fantasy analyzes the genre from its earliest beginnings in Medieval romances on through practitioners like Tolkien up to today's brightest lights.

Nominated as one of America’s best-loved novels by PBS’s The Great American ReadWuthering Heights, first published in 1847, the year before the author's death at the age of thirty, endures today as perhaps the most powerful and intensely original novel in the English language. “Only Emily Brontë,” V.S. Pritchett said about the author and her contemporaries, “exposes her imagination to the dark spirit.” And Virginia Woolf wrote, “It is as if she could tear up all that we know human beings by, and fill these unrecognisable transparencies with such a gust of life that they transcend reality. Hers, then, is the rarest of all powers. She could free life from its dependence on facts, with few touches indicate the spirit of a face so that it needs no body; by speaking of the moor make the wind blow and the thunder roar.”